It reads like a story by Salman Rushdie by way of William Faulker: a royal family denied their ancestral home by the vagaries of politics or luck, left to ruminate on their past glories in a mouldering, dilapidated castle, selling off their jewels to get by, living in a state of eternal mourning. The prince of Oudh was the last remaining member of a once-proud clan; his mother, the Begum, died of poison, his sister committed suicide by eating crushed diamonds. He died in September, and the Indian Express has the story.
Marin Alsop, one of the more exciting young conductors working today, takes the baton and leads the London Symphony Orchestra in a reading of Leonard Bernstein’s Kaddish as part of the celebration of his centenary. The Times of London‘s critic did not quite wish ill upon the dead, but he called the piece an “argumentative elaboration of the Jewish prayer for the dead…struggling too hard to be strident or drowning in watery bathos.” Not even Claire Bloom’s narration helped. He did have kinder words for Bernstein’s Halil, a piece written in memory of an Israeli flautist killed in the 1973 Yom Kippur war, which he called an “elegiac beauty.”
A Chinese funerary shrine was recently discovered at the Pioneer Cemetery in Salem, Oregon, and they’re inviting the public to check out the active archeological site tomorrow. Among their requests: bring mud-ready shoes, and leave the dogs at home.
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